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6 VOICES, 16 ANALOG OSCILLATORS PER VOICE, ANALOG MULTIMODE FILTER WITH 5 DIFFERENT CHARACTERS, 4 ENVELOPES, 4 LFOS,MOD MATRIX WITH 32 SLOTS, ARPEGGIATOR, SEQUENCER, MATHS, FX AND THAT’S JUST THE START!
Redshift 6 is a six-voice analog polyphonic synthesizer that redefines what a polysynth can be.
Powered by Demon Core oscillators and a Variable Character Filter, each voice features 16 true analog oscillators — delivering everything from supersaw stabs and lush pads to powerful unison basses and vintage polysynth sounds.
With 16 simultaneous analog oscillators per voice, Redshift 6 goes far beyond traditional 6- or even 12-voice analog polysynths. Its flexible architecture allows the oscillators to be assigned in multiple ways, from supersaw-style stacks to massive 96-oscillator unison. The oscillators can also be played in paraphony, allowing up to five simultaneous notes on a single voice. These notes can be shaped independently, thanks to Redshift 6’s dedicated DCO ENV envelope generators.
Combined with 6-part multitimbrality, per-part sequencers and arpeggiators, and a powerful effects section, Redshift 6 becomes more than a synthesizer — it’s a complete sound design instrument.
In practice, Redshift 6 can function as up to six simultaneous independent synthesizers, each with its own character, making it a true analog powerhouse built for modern production and performance.
ANALOG MULTIMODE FILTER WITH 5 DIFFERENT CHARACTERS,
4 ENVELOPES, 4 LFOS,MOD MATRIX WITH 32 SLOTS, ARPEGGIATOR, SEQUENCER, MATHS, FX AND THAT’S JUST THE START!
Redshift 6 is a six-voice analog polyphonic synthesizer that redefines what a polysynth can be.
Powered by Demon Core oscillators and a Variable Character Filter, each voice features 16 true analog oscillators — delivering everything from supersaw stabs and lush pads to powerful unison basses and vintage polysynth sounds.
With 16 simultaneous analog oscillators per voice, Redshift 6 goes far beyond traditional 6- or even 12-voice analog polysynths. Its flexible architecture allows the oscillators to be assigned in multiple ways, from supersaw-style stacks to massive 96-oscillator unison. The oscillators can also be played in paraphony, allowing up to five simultaneous notes on a single voice. These notes can be shaped independently, thanks to Redshift 6’s dedicated DCO ENV envelope generators.
Combined with 6-part multitimbrality, per-part sequencers and arpeggiators, and a powerful effects section, Redshift 6 becomes more than a synthesizer — it’s a complete sound design instrument.
In practice, Redshift 6 can function as up to six simultaneous independent synthesizers, each with its own character, making it a true analog powerhouse built for modern production and performance.
SOUND SAMPLES
SUPER PLUCK PAD
DUSTY DCO ECHOES
AGING POLY LEGEND
ETHEREAL PAD
INDUSTRIAL GUITARS
INDUSTRIAL UNISON
FOR TOM AND EDDIE
STEREO TRANCE STACK
DRIVEN LFO PLUCK SPLIT
ARCHIPELAGO MIST SPLIT
SYNTH PUNK SPLIT
SILVER BOX
OVERDRIVEN 7THS
LFO RHYTHM PAD
TRACK AND HOLD PAD
CURIOUS DROID
DELAY 101
DCO SYNC PLUCK
DEMON CORE
OSCILLATOR
Demon Core Oscillator is an MDCO (Multiperiod Digitally Controlled Oscillator), allowing a single analog oscillator core to generate multiple simultaneous waveforms with independent pitch and phase control.
In practice, the 16 oscillators per voice enable features such as true analogue supersaws and paraphonic playing within a single voice — up to 5 notes per voice — extending playability far beyond a traditional 6-voice polysynth. Each paraphonic note can also have its own amplitude envelope, enabled by Redshift 6’s DCO ENV.
SOUND SAMPLES
90 SAW OSCILLATORS
12 NOTE PARAPHONIC STEREO PAD
1 VOICE PArAPHONIC TECHNO STABS
CINEMATIC SWARM
ANGRY ROCKET SHIP
CHARACTER
& DRIVE
Redshift 6 has five Characters that shape the entire analog signal path — including DCO drift, filter response, envelope shaping, amp drive, tuning and gain staging — ranging from pristine precision to saturated warmth and unpredictable edge.
The sound character of legendary synths is what they are revered and desired for. Rather than pursuing a single vintage ideal, Redshift 6 embraces flexibility.
Built around the Neutron Flux Filter architecture, variable gain staging and a precision-controlled DCO engine, it offers five Character profiles that can be smoothly blended and interpolated into a continuously adjustable sonic landscape.
Character influences the whole instrument, making Redshift 6 a true sonic chameleon.
SOUND SAMPLES
LIQUID -24 dB CLASSIC FILTER
CRISP -12 DB STATE VARIABLE FILTER
FAT -24 DB LADDER FILTER
MEAN - 12 dB HIGHLY UNSTABLE FILTER
SOUR -18 DB SQUELCHY FILTER
FX
PRODUCTION QUALITY FX WITH ANALOG SOUL
Redshift 6’s FX Engines deliver production-level, 24-bit stereo effects. Its parallel signal path allows you to blend analog audio with DSP effects, giving you the warmth and character of analog signal path alongside the precision and flexibility of modern digital processing. The different engines of the FX section add spaciousness, movement, and depth to the sound without compromising its analog soul.
SONAR
BASS IN SPACE
LEVITATE PAD
SUPERSAW SEQ
CHORUS STRINGS
NEW TINES
STRING MACHINE
REDEFINING MULTITIMBRALITY
6-PART MULTITIMBRALITY, DYNAMIC VOICE ALLOCATION, AND UP TO 5 NOTES OF PARAPHONY PER VOICE
Multitimbrality allows Redshift 6 to function as multiple independent synthesizers. Each part can be polyphonic, paraphonic, or monophonic, and each can have its own unique character.
With Redshift 6, multitimbrality is always at your fingertips. Its user interface is built from the ground up to enable a seamless workflow between mono- and multitimbral setups. Under the hood, Redshift 6 is always multitimbral—there’s no need to switch to a specific multitimbral mode. A new multitimbral synth part can be activated with just the push of a button. Voice allocation, polyphony, paraphony, group settings, and other parameters are easily configured in the Parts view.
MUCH MORE THANA 6-VOICE POLY
Multitimbrality truly unleashes the full power of Redshift 6’s 96 oscillators.
With each of the Redshift 6’s six voices capable of generating up to 16 oscillators, the Redshift 6 offers an impressive expansion in overall polyphony. A single voice supports up to five paraphonic notes simultaneously, each featuring dual oscillators and a noise source. These notes can have independent amplitude shaping, thanks to the Redshift 6’s dedicated DCO ENV envelope generators.
Redshift 6 also features dynamic voice allocation, allowing voices to be borrowed from other parts when needed. When combined with paraphony, Reshift 6 pushes polyphony well beyond what traditional multitimbral synths can offer.
Thanks to the flexible voice allocation, the voices to be assigned in various ways: split across keyboard zones for traditional polyphonic setups, layered to play rich, combined textures, or used as six independent one voice parts.
Redshift 6’s six audio outputs provide flexible routing options, allowing individual parts to be assigned to separate outputs.
SOUND SAMPLES
SUPER PLUCK PAD
DUSTY DCO ECHOES
AGING POLY LEGEND
ETHEREAL PAD
VINTAGE POLY ARP
SWEEPING RESO PAD
TIMELINE
Planned for 2026
• DCO: Phase Sync Engine
• Preset sorting & filtering
• Voice chaining
• Sysex Send & Receive
• MIDI CC & NRPN as modulation sources
• More advanced modulation routing
• New DCO Engines: Partials, Drum...
• New VCF Engines: Formant, Pole Mixing...
• More advanced Arp & Sequencer engines
• And more
June 2026
FIRMWARE UPDATE 1.7
• Math Page
March 2026
FIRMWARE UPDATE 1.6
• Polyphonic Sequencer
• Macros
December 2025
FIRMWARE UPDATE 1.5
• New FX Engine: X-Delay
• New FX Engine: Stage Reverb
• New FX Engine: Vintage Chorus
• New FX Engine: Chorus+
• New VCF Engine: Mirror Twins
October 2025
FIRMWARE UPDATE 1.4
• MPE
• Arpeggiator
• Multi-part edit for the multitimbral patches
• New oscillator waveform variants
• Envelope reset option
• Sample & Hold waveform for the LFO
• LFO range is now 0.01-1000Hz, up from 0.1-100Hz
• 18 new factory presets
June 2025
FIRMWARE UPDATE 1.3
• Multitimbrality
• Preset preview
• Multitimbral factory presets
March 2025
FIRMWARE UPDATE 1.2
• Clock
• LFO clock sync
• NRPN support for parameter control
• Mod Lock
• 65 new presets
February 2025
FIRMWARE UPDATE 1.1
• USB MIDI
• New presets by Kebu
December 2024
REDSHIFT 6 MANUFACTURING STARTS
Above you can see a glimpse of what we have planned for the future and where we have come from. Please note that plans are subject to change and shouldn’t be taken as promises.
For those who are interested on the technical side of things, we also have a blog on our website, where we will share updates on the development of the Redshift 6 and occasionally dive deeper into various technical subjects.
SUPPORT
FIRMWARE UPDATE 1.4 (RELEASED 2025-10-01)
We have released a new firmware update for the Redshift 6. Firmware Update 1.4 introduces MPE, an arpeggiator, multi-part editing for multitimbral patches, new oscillator waveform variants, envelope reset option, and a Sample & Hold waveform for the LFO, among other improvements. There are also 18 new factory presets to showcase the arpeggiator and more.
CONTACT US
- Join our Discord server
- Send us an email
REDSHIFT 6 DEMO TRACKS
REDSHIFT 6 SYNTHESIZER - TECHNICAL SPECIFICATIONS
- Six voices each featuring:
- Full analog signal chain
- Digitally controlled analog Supercritical Demon Core Oscillator
- Analog four pole Variable Character Filter
- Flexible gain staging with an analog boost circuit
- Physical audio output per voice (2 main outputs and 4 aux outputs) *
- Optional voice chaining *
- 4 envelopes and 4 LFOs
- 32 Slot Modulation Matrix
- Bypassable digital effects in main outputs 1-2 *
- 2.7″ TFT IPS color screen with a bank of 8 endless clickable potentiometers and quick navigation via button grid
- Quick powerful controls for oscillators and filters.
- Six user-assignable macro controls *
- Six parts multitimbral *
- Modern MIDI implementation with USB-B connection and DIN IN/OUT
- MPE *
- 12V power supply
- Physical dimensions: 378 mm x 254 mm x 63 mm
- Designed in Finland, manufactured in Germany
* Coming soon in a firmware update
