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96 ANALOG OSCILLATORS
UNDER YOUR CONTROL
6 VOICES, 16 ANALOG OSCILLATORS PER VOICE, ANALOG MULTIMODE FILTER WITH 5 DIFFERENT CHARACTERS, 4 ENVELOPES, 4 LFOS, MOD MATRIX WITH 32 SLOTS, ARPEGGIATOR, FX AND THAT’S JUST THE START!
Demon Core Oscillator is a MDCO (Multiperiod Digitally Controlled Oscillator) which allows a single analog oscillator core to form multiple simultaneous waves with pitch and phase control.
Even though the analog oscillator cores are digitally controlled, the Demon Core Oscillators sonic possibilities go way beyond traditional DCO’s. In practice this means that all the 16 analog oscillators in each 6 voices can be individually controlled. With the 16 oscillators per voice, each of the six voices can also operate as a paraphonic voice with up to 5 note paraphony. Each paraphonic note can also have its own amplitude envelope, enabled by the Redshift 6’s DCO ENV.
SOUND SAMPLES
SUPER PLUCK PAD
DUSTY DCO ECHOES
AGING POLY LEGEND
ETHEREAL PAD
VINTAGE POLY ARP
SWEEPING RESO PAD
TOM SOURER SWEEP
FOR TOM AND EDDIE
80'S POLY BRASS
TRANCE SUPER SAW
VINTAGE DCO POLY
SOUR ACID SAW
CINEMATIC SWARM
ANGRY ROCKET SHIP
INDUSTRIAL UNISON
MEAN DISTORTION RISER
MEAN BASS LEAD
96 SAWS ON THE WALL
DEMON CORE OSCILLATOR
Demon Core Oscillator is a MDCO (Multiperiod Digitally Controlled Oscillator) which allows a single analog oscillator core to form multiple simultaneous waves with pitch and phase control.
Even though the analog oscillator cores are digitally controlled, the Demon Core Oscillators sonic possibilities go way beyond traditional DCO’s. In practice this means that all the 16 analog oscillators in each 6 voices can be individually controlled. With the 16 oscillators per voice, each of the six voices can also operate as a paraphonic voice with up to 16 note paraphony.
Each paraphonic note can also have its own amplitude envelope, enabled by the Redshift 6’s DCO ENV.
SOUND SAMPLES
1 VOICE PARAPHONIC SYNTH PLUCK
1 VOICE PARAPHONIC TOM AND EDDIE
1 VOICE PARAPHONIC TECHNO STABS
CINEMATIC SWARM
INDUSTRIAL UNISON
96 SAWS ON THE WALL
2 VOICE SUPER SAW
ANGRY ROCKET SHIP
VARIABLE CHARACTER FILTER
With different character profiles, each voice’s analog signal path regarding tuning, gain staging, filter, amp, and envelope behavior can be changed from almost digitally sterile and clean to distorted misbehavior and beyond.
The sound character of legendary synths is what they are revered and desired for. This character is made up of various distortion characteristics, the precise shape of the filter response curve, the envelope shape, tuning accuracy and variations in all of these between voices. In designing our own analog circuits and their control algorithms, we had to decide which character would we aim towards… and decided to not decide! Using our ultra-flexible filter design from the Neutron Flux Filter, variable gain staging, the fine-tuning capabilities of the DCO, and digital control of all these, we’re able to approximate many very different characters. We’ve packaged five of them to the Character control of the Redshift, and as an extra treat, we let you interpolate between them to find your own perfect sweet spot!
SOUND SAMPLES
SWEEPING RESO PAD
80S POLY BRASS
Tom Sourer SWEEP
FOR TOM AND EDDIE
MEAN DISTORTION RISER
CHARACTER & DrIVE
With different character profiles, each voice’s analog signal path regarding tuning, gain staging, filter, amp, and envelope behavior can be changed from almost digitally sterile and clean to distorted misbehavior and beyond.
The sound character of legendary synths is what they are revered and desired for. This character is made up of various distortion characteristics, the precise shape of the filter response curve, the envelope shape, tuning accuracy and variations in all of these between voices. In designing our own analog circuits and their control algorithms, we had to decide which character would we aim towards… and decided to not decide! Using our ultra-flexible filter design from the Neutron Flux Filter, variable gain staging, the fine-tuning capabilities of the DCO, and digital control of all these, we’re able to approximate many very different characters. We’ve packaged five of them to the Character control of the Redshift, and as an extra treat, we let you interpolate between them to find your own perfect sweet spot!
SOUND SAMPLES
VINTAGE POLY ARP
AGING POLY LEGEND
SUPER PLUCK PAD
SOUR ACID SAW
MEAN BASS LEAD
FX
PRODUCTION QUALITY FX WITH ANALOG SOUL
Redshift 6’s FX Engines deliver production-level, 24-bit stereo effects. Its parallel signal path allows you to blend analog audio with DSP effects, giving you the warmth and character of analog signal path alongside the precision and flexibility of modern digital processing. The different engines of the FX section add spaciousness, movement, and depth to the sound without compromising its analog soul.
STAGE REVERB
SONAR
X-DELAY
SUPERSAW SEQ
VINTAGE CHORUS
xxx
CHORUS+
xxx
Stage reverb ENGINE
Stage Reverb engine simulates acoustic spaces from small rooms to large open environments, adding reflective ambience that affects the sense of distance—short decays give subtle space while long decays create sustained, atmospheric tails. Tone and diffusion controls shape whether the reverb sits behind the sound or blends more directly with it. Vintage Chorus engine can also be layered with the reverb for added character.
X-DELAY ENGINE
X-Delay is a stereo delay designed to create dynamic sequences of repeats that add rhythm, depth, and motion to your sound. Each echo is processed in order, letting you build anything from precise, tempo-synced patterns to free-running, atmospheric textures. Run it freely or sync to internal or external MIDI clock for perfectly timed delays every time. Versatile, musical, and built for creative echo design.
VINTAGE CHORUS ENGINE
Vintage Chorus offers two modes, I and II, each designed to give brass, pads, strings, and other sustained tones instant warmth, width, and dimension. Its subtle pitch and delay modulation creates a natural, multi-voice feel that enhances your sound without overwhelming it. Smooth, musical, and effortlessly classy — perfect for adding character and depth to any mix.
CHORUS+ ENGINE
Chorus+ is a stereo modulation effect that thickens and widens your sound by blending the original signal with a delayed, pitch-modulated version. While it can add gentle doubling or classic chorus depth, adjusting its parameters can push it into extreme effects.
REDEFINING MULTITIMBRALITY
6-PART MULTITIMBRALITY, DYNAMIC VOICE ALLOCATION, AND UP TO 5 NOTES oF PARAPHONY PER VOICE
Multitimbrality allows Redshift 6 to function as multiple independent synthesizers. Each part can be polyphonic, paraphonic, or monophonic, and each can have its own unique character.
With Redshift 6, multitimbrality is always at your fingertips. Its user interface is built from the ground up to enable a seamless workflow between mono- and multitimbral setups. Under the hood, Redshift 6 is always multitimbral—there’s no need to switch to a specific multitimbral mode. A new multitimbral synth part can be activated with just the push of a button. Voice allocation, polyphony, paraphony, group settings, and other parameters are easily configured in the Parts view.
MUCH MORE THAN A SPLIT 6-VOICE POLY
Multitimbrality truly unleashes the full power of Redshift 6’s 96 oscillators.
With each of the Redshift 6’s six voices capable of generating up to 16 oscillators, the Redshift 6 offers an impressive expansion in overall polyphony. A single voice supports up to five paraphonic notes simultaneously, each featuring dual oscillators and a noise source. These notes can have independent amplitude shaping, thanks to the Redshift 6’s dedicated DCO ENV envelope generators.
Redshift 6 also features dynamic voice allocation, allowing voices to be borrowed from other parts when needed. When combined with paraphony, Reshift 6 pushes polyphony well beyond what traditional multitimbral synths can offer.
Thanks to the flexible voice allocation, the voices to be assigned in various ways: split across keyboard zones for traditional polyphonic setups, layered to play rich, combined textures, or used as six independent one voice parts.
Redshift 6’s six audio outputs provide flexible routing options, allowing individual parts to be assigned to separate outputs.
SOUND SAMPLES
ASTROCRUISER
POLARIS SPLIT
LUNAR CLOCKWORK
UNISON DCO ECHOES
SPACE CATHEDRAL
SUPERSAW SEQUENCE
PHASE HERO
POLY BRASS SPLIT
SIX VOICE MONO
TOM SOURER SPLIT
SUPER POLY SPLIT
TRANQUILITY
RAVE-O-MATIC
6-PART TECHNO
DON'T LEAVE ME ALONE
AKTUELL '74
DEMO VIDEOS
FUNCTIONAL AND UNIQUE DESIGN
The Redshift 6 features a modern, compact desktop design with a 2.7-inch color screen, minimizing menu diving with intuitive navigation via a shortcut button grid. The front panel includes a selection of essential synth controls, along with a macro mode offering six user-assignable controls. On the back, you’ll find main audio outputs, a DSP effects processor, and four auxiliary voice outputs for expanded routing options.
A core design principle of the Redshift 6 is to provide a versatile, powerful analog platform paired with a flexible UI, allowing for seamless integration of new Engines and featuresthrough software updates.
Redshift 6 is build to high standards from components to materials. Its aluminum casing is 3D-milled, and the graphics are printed with high precision using an innovative UV printing technique. Every visible element—from the knobs and hexagonal pads to the red transparent honeycomb side panels—is a custom design by Axel Hartmann.
TIMELINE
Planned for 2026
• Voice chaining
• Sysex Send & Receive
• MIDI CC & NRPN as modulation sources
• Preset sorting & filtering
• More advanced modulation routing
• New DCO Engines: Phase Sync, Partials, Drum...
• New VCF Engines: Formant, Pole Mixing...
• More advanced Arp & Sequencer engines
• And more
Planned for December 2025
FIRMWARE UPDATE 1.6
• Sequencer
• Macros
• Math Page
Planned for November 2025
FIRMWARE UPDATE 1.5
• New FX Engine: Digital Delay
• New FX Engine: Reverb
• New FX Engine: Chorus
• New VCF Engine: Phaser
October 2025
FIRMWARE UPDATE 1.4
• MPE
• Arpeggiator
• Multi-part edit for the multitimbral patches
• New oscillator waveform variants
• Envelope reset option
• Sample & Hold waveform for the LFO
• LFO range is now 0.01-1000Hz, up from 0.1-100Hz
• 18 new factory presets
June 2025
FIRMWARE UPDATE 1.3
• Multitimbrality
• Preset preview
• Multitimbral factory presets
March 2025
FIRMWARE UPDATE 1.2
• Clock
• LFO clock sync
• NRPN support for parameter control
• Mod Lock
• 65 new presets
February 2025
FIRMWARE UPDATE 1.1
• USB MIDI
• New presets by Kebu
December 2024
REDSHIFT 6 MANUFACTURING STARTS
Above you can see a glimpse of what we have planned for the future and where we have come from. Please note that plans are subject to change and shouldn’t be taken as promises.
For those who are interested on the technical side of things, we also have a blog on our website, where we will share updates on the development of the Redshift 6 and occasionally dive deeper into various technical subjects.
SUPPORT
FIRMWARE UPDATE 1.4 (RELEASED 2025-10-01)
We have released a new firmware update for the Redshift 6. Firmware Update 1.4 introduces MPE, an arpeggiator, multi-part editing for multitimbral patches, new oscillator waveform variants, envelope reset option, and a Sample & Hold waveform for the LFO, among other improvements. There are also 18 new factory presets to showcase the arpeggiator and more.
CONTACT US
- Join our Discord server
- Send us an email
REDSHIFT 6 SOUND SAMPLES
REDSHIFT 6 DESKTOP SYNTHESIZER MODULE - TECHNICAL SPECIFICATIONS
- Six voices each featuring:
- Full analog signal chain
- Digitally controlled analog Supercritical Demon Core Oscillator
- Analog four pole Variable Character Filter
- Flexible gain staging with an analog boost circuit
- Physical audio output per voice (2 main outputs and 4 aux outputs) *
- Optional voice chaining *
- 4 envelopes and 4 LFOs
- 32 Slot Modulation Matrix
- Bypassable digital effects in main outputs 1-2 *
- 2.7″ TFT IPS color screen with a bank of 8 endless clickable potentiometers and quick navigation via button grid
- Quick powerful controls for oscillators and filters.
- Six user-assignable macro controls *
- Six parts multitimbral *
- Modern MIDI implementation with USB-B connection and DIN IN/OUT
- MPE *
- 12V power supply
- Physical dimensions: 378 mm x 254 mm x 63 mm
- Designed in Finland, manufactured in Germany
* Coming soon in a firmware update
